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Aug 3, 2016 what does it mean to study shakespeare within a multicultural society? and who has the power to transform shakespeare? the diverse bard.
Shakespeare and race attending to race in shakespeare’s plays generates surprising through-lines between the 16th to the 21st centuries, as well as some clear historical distinctions. How far can these works speak to our modern concerns? should today’s black actors authenticate othello, written by and for a white man, by performing the role?.
The arden research handbook of shakespeare and contemporary performance is a reference work aimed at advanced undergraduate and graduate students as well as scholars and libraries, a guide to beginning or developing research in the field, and an essential companion for all those interested in shakespeare and performance.
Feb 11, 2019 i think continued representation on stage is vital to actors of color becoming routinely cast as hamlet, as feste, as lear.
William shakespeare has been universally celebrated for centuries; for nearly as long, scholars and artists have reexamined his canon and its limitations for representing the lives of non-white people, in and beyond his time. That is the subject of a virtual event on thursday, october 15, “shakespeare, race and performance,”.
Nov 20, 2020 to shakespeare and race (cambridge university press, 2021), weyward macbeth: intersections of race and performance (palgrave, 2010),.
Another performance-based investigation of “othello,” this time from debra ann byrd of the harlem shakespeare festival who has played the title role in the tragedy and now revisits that.
To read the full-text of this research, you can request a copy directly from the author.
Join stc and like-minded fans of the bard for shakespeare hour live. An ongoing tour through every corner of the shakespeare universe. Drew lichtenberg gather online with special guests each week to discuss a new topic and allow audiences the opportunity to ask questions live.
Location: tbd class capacity: 15 consent required: instructor description: one of the most.
My hope is that the field will come to recognize that the history of shakespeare—and shakespearean performance, its actors and absences, its traces and lacunae—is inextricably bound up with the history of race and race-making. Sanchez, university of pennsylvania chapter: was sexuality racialized for shakespeare?.
Late summer and autumn 2016, delia's work on shakespeare continued.
Shakespeare, race, and performance, edited by delia jarrett-macauley examining a similar question from across the pond, editor delia jarrett-macauley has compiled a wide range of essays covering race in modern shakespearean performance.
This chapter focuses on debates about passing and performance in peter sellars's 2009 stage production of othello.
Ayanna thompson is an expert in shakespearean studies specializing in renaissance drama and race in performance.
Colorblind shakespeare: new perspectives on race and performance edited by ayanna thompson new york: routledge, 2006 in the very last critical words in colorblind shakespeare, peter erickson in an endnote about denzel washington as don pedro in kenneth branagh's film of much ado about nothing (1993), asks, how could we be colorblind if the camera fixes on the coincidence that the character.
My new book, shakespearean adaptation, race, and memory in the new world, has just been shakespeare and race: teaching and performance.
Ayanna thompson is professor of english at george washington university, and she specializes in renaissance drama and issues of race in/as performance. She is the author of teaching shakespeare with purpose: a student-centred approach (2016), passing strange: shakespeare, race, and contemporary america (2011), and performing race and torture on the early modern stage (2008).
The systematic practice of non-traditional or colorblind casting began with joseph papp's new york shakespeare festival in the 1950s.
Divided into seven sections, the book traces the connection between race and shakespeare's scottish play from jacobean england to film adaptations.
This free online event is two days of discussion and debate focusing on the performance of race on the shakespearean stage and in contemporary settings.
Feb 25, 2021 chapter: shakespeare, race, and globalization: titus andronicus that the history of shakespeare—and shakespearean performance,.
Com: shakespeare, race and performance: the diverse bard ( 9781138913820): jarrett-macauley, delia: books.
She is the author of women and race in early modern texts (2002) and has published widely on renaissance racial formations, shakespearean adaptation, and performance. Her new monograph is shakespearean adaptation, race, and memory in the new world (2020). In 2018, she was elected a trustee of the shakespeare association of america.
Notions, constructions, and performances of race continue to define the contemporary american experience, and this includes conceptions of shakespeare performances. “when i teach shakespeare in my university classes, see contemporary shakespeare productions in film, on the stage or the internet, find allusions to shakespeare in the popular.
William shakespeare 's othello race and performance 6373 words 26 pages. Page 1 pass ilari pass engl 400 seminar: literature and ethics hood 7 november 2014 barbary horse: race and performance in othello ethics never went out of fashion in philosophy.
Uddalak dutta – representation of race in four shakespearean plays: titus. Andronicus, othello, antony and cleopatra, the merchant of venice.
Weyward macbeth, a volume of entirely new essays, provides innovative, interdisciplinary approaches to the various ways shakespeare's 'macbeth' has been.
Shakespeare and race: teaching and performance shakespeare's globe this event has now passed. Shakespeare’s globe and the university of sussex invite you to join a free two-day online symposium on shakespeare, race and the university classroom.
This panel will explore issues surrounding the performance of race in shakespeare's plays, in both contemporary and early modern productions.
Butler university admits students of any race to all the rights, privileges, programs and activities generally accorded or made available to students at butler.
The arden research handbook of shakespeare and contemporary performance is a wide-ranging, authoritative guide to research on shakespeare and performance studies by an international team of leading scholars. It contains chapters on the key methods and questions surrounding the performance event, the audience, and the archive – the primary sources on which performance studies draws.
Joyce green macdonald is associate professor of english at the university of kentucky, usa, where she teaches courses on shakespeare and renaissance drama. She is the author of women and race in early modern texts (2002) and has published widely on renaissance racial formations, shakespearean adaptation, and performance.
Ayanna thompson is professor of english at george washington, specializing in renaissance drama and issues of race in/as performance. She is the author of teaching shakespeare with purpose: a student-centered approach; passing strange: shakespeare, race, and contemporary america; and performing race and torture on the early modern stage.
She has written on race, women, aphra behn, and shakespeare in performance. At the instigation of professor kim hall, she’s embarking on an academic memoir that has a secret title, and it explores not just her relationship to the academy, but the idea of being a black shakespearean, a black woman, and a black american.
Dec 1, 2017 george washington university professor ayanna thompson said although the works of william shakespeare are often thought of as speaking.
Eric song will discuss the racism of jealousy, from othello to the rhetoric of the cuck.
Feb 25, 2021 the collection helps students to grapple with the unique role performance plays in constructions of race by shakespeare (and in shakespearean.
To insist that religion and “race” were necessarily antithetical. They also suggest that not only in the representation but in the performance of these differences new configurations of older ideas about difference are formed, performed, cir-culated, and reproduced in ways that shaped the historical moment and had lasting effects.
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